The image of a ridden animal is always the same, it takes the rider away, takes him from one place to another and leaves him. It is a tool. Its category has changed, it has become a tool without coming out of its vitality, its vitality consisted only in movement. The red details in the paintings were placed in order to give the painting a graphical image, the uniqueness that the painting reached with linear abstraction was tried to be disrupted with geometric additions. The whole series is an attack on uniqueness and vitality.